Philip Shaw No. 89 Shiraz Viognier 2004

Shiraz Viogniers are all the rage in Australia right now - but not too many of them are grown and produced in Orange, New South Wales like this wine. Distributed by the mamoth Lion Nathan, nonetheless this wine rises above typical commercialized shiraz/viognier blends with a more Northern Rhone like balance of finesse and robustness.

The nose here had coffee, violets, blackberry and boysenberry and was rich and masculine similar to syrah made in Cornas. The palate was nicely balanced, with spice, coffee, chocolate, and blackberry. Overall a masculine wine with firm acidity and without the 'prettyness' (or lightness) you can find in most Aussie shiraz/viogniers.

Very Good+
$40 ($28 on sale) at BCLDB

Shmaltz Brewing Coney Island Lager

With the recent spate of fall-like weather in Vancouver, a lager may be the last thing on your mind right now. For the beer geek, the lager has become emblematic of big corporate beer and its quest to dominate the realm of flavour with bland swill. Fortunately, both the weather monger and the corporate beer hater have something to appreciate in this micro-brew from New York. Shmaltz brewing, also producers of the HeBrew series, uses the Coney Island label to exclusively release lagers. Contrary to popular belief in the beer geek world, lagers are not de facto flavourless and boring. In fact, lagers constitute quite a large category of beers unto themselves, similarly to ales, and the style should not be written off quickly. Lagers are traditionally made in spring and cold-stored over the summer months and come in various styles including Helles, Bock, Marzen and Pilsner. Further, lager can range from dark and malty, to hoppy, to light and dry, the lattermost being the dominant style in the US macro-brewing market.

This particular lager is on the darker and maltier side of the scale, with a nose of sweet malts, fruit, bread, sugar, banana bread and candy apple. Interestingly, the palate is almost Belgian-like and has an incredibly full bodied texture and really highlights the bready elements of the beer. Despite its massiveness, I also enjoyed some slight floral notes on the palate and its very clean dry finish, which also happens to make it outstanding for pairing with fuller bodied spicy foods. I suggest trying this beer with some East Indian cuisine or a spicy sausage, and I hope that any beer afficionado is willing to give this beer a try in order to revitalize the unfairly demonized world of the lager.

Very Good+
$9 / 22oz at Brewery Creek

Mazzocco Sonoma

The festivities of the Wine Bloggers' Conference 2009 (#WBC09) prompted Sean, Graham and me to do a little 'practical' training on the side and visit a couple wineries while we were down in Sonoma. We had all tasted and loved Mazzocco's Zins at the ZAP festival in January so it was not difficult to make the drive up to the winery to taste across their full range. Like Ridge, Mazzocco treats zinfandel like the serious grape it can be, and as a result they have managed to find a full range of expressions from single vineyard sites across Sonoma, although mostly from Dry Creek Valley.

It is fascinating to taste zins that vary from austere and tannic to jammy and fruit forward to spicy and punchy, but Mazzocco's wines express all of these characteristics and provide zin lovers with quite a wide variety of options and styles. Impressively, none of the zins show their alcohol, which generally means that the grapes have been allowed to ripen properly and bring gobs of fruit into the mix to hide the alcohol. Whether you like zin or not, this is the way to make zin taste great in my mind.

Zinfandels

Lyton 2006: red fruits and spice box. Big up front but soft on the back end. Very Good to Very Good+. $29.

Warm Springs Ranch Reserve 2006: a nose of cherry and subtle spice, the palate had plenty of cherry, was quite smooth and had underlying notes of earth. Very Good. $50.

Smith Orchard Reserve 2006: plenty of caramel on the nose with big blackberry fruit, cloves and nutmeg. The palate was hugely spicy up front, and held notes of briar, and candied raspberry. Very Good+ to Excellent. $50.

West Dry Creek Reserve 2006: the nose on this did have strawberry fruit, but I appreciated its leather-like characteristics as well. With a palate of cherry, nutmeg, and strawberry, this wine is very pure and expressive and drinking great right now. Very Good+. $50.

Maple Reserve 2006: Strawberry, cloves and cinnamon on the nose. The palate had tons of cherry and cinnamon again, but was very very extracted. Nonetheless, I found this elegant for a zin. Very Good+ $50

Antoine Phillipe Reserve 2006: named after the winemaker and expressive of the style of zin he prefers, this is essentially a barrel selected zin using fruit from the other vineyards. The nose here is very deep, with rich and ripe plum, prune, and dark cherry. The palate is so elegant and possesses incredible purity of fruit. This zin develops linearly through the palate and is quite long with lots of leather and chocolate notes and a very full and layered mid-palate. The finish is plush and velvety and amazingly smooth. Simply put, this is one of the best zinfandels I've had. Excellent to Excellent+. $120.


Other Reds

While specializing in zinfandel, Mazzocco also puts together a few other reds from Sonoma County, most of which are quite well made.



Petit Verdot 2005: Aged in french oak, this has light red fruit on the nose and a woody, almost flinty, palate. This is soft, but has bright acidity and is bone dry. Very Good. $35.

Petite Sirah Aguilera 2005: A dark nose of plumy fruit and caramel, the palate consists mostly of pepper and plum. Certainly an enjoyable petite sirah without over-extraction. Very Good+. $35.

Petite Sirah Aguilera Reserve 2005: With a nose filled with stone fruits, the palate on this PS was surprisingly quite soft. With very plummy fruits predominating I enjoyed how long and smooth the finish was on this, especially for a grape that can sometimes go over the top in its extraction. Very Good+. $45.

Cabernet Sauvignon Dry Creek Reserve 2005: Lots of candied dark fruits on the nose and palate with an earthy, minerally back-end. Very Good to Very Good+. $50.

Chardonnay Stuhlmuller Reserve 2006: A key lime pie nose bright with minerals. The palate was very citrusy and enjoyed a fresh mid-palate with proper acidity. Very Good to Very Good+. $36.

In the final analysis Mazzocco is all about zinfandel, and they are one of the few wineries in Sonoma giving this grape its due and understanding how to produce high alcohol zin that is still balanced, fruity, and food friendly. It is very impressive for a winery to showcase the full range of what zin can do and present the itinerant wine drinker with options that fit many palates and many moods. A must visit for any zin lover and a great standard bearer for this truly Californian grape.

Alma Rosa El Jalbali Vineyard Chardonnay 2005

In response to a recent review I wrote on Au Bon Climat's 2001 Mt. Carmel Chardonnay, I was invited by John Clerides of Marquis to taste another from them to see if I still found it to be alcoholic and heavily oaked. While we could not find an appropriate comparison from ABC, I was given this bottle to sample from the same region in the Santa Rita Hills. While the ABC was made with grapes from the Mt. Carmel vineyard, nearby is the El Jalbali vineyard, from which Alma Rosa sourced the grapes for this chardonnay.

Where the visionary and maverick winemaker Jim Clendenon runs Au Bon Climat, Alma Rosa is the Sanfords' (also pioneers of the region) latest project after their split with Sanford Winery. I visited Alma Rosa a few months ago but did not get a chance to taste their whites at the time. Interestingly, the lore I've heard about California seems to indicate that the oaky days of Santa Barabara County were largely in the 90's and early 2000's, which could explain the stylistic approach of the 2001 ABC. As we shall see, this wine is made very differently.

With quite a rich and tropical nose here I also got nectarine, kiwi and banana - aromas somewhat typical for a California chardonnay, but with a bit more mineral lacing than you might expect. The palate, however, is where all the action is in this wine. There is a definite minerality up front with some tart kiwi and lime notes that leads into a finish of banana and nectarine. The whole palate is structured around a bracing and clean acidity that brings brightness and alacrity to the fruit. Ultimately, this wine is driven toward a layered finish that is both tart and clean, and, while rich, the wine is not creamy nor laden with oaken vanilla flavours. In fact, it still retains a subtle degree of austerity despite its approachability and really is all the better for it. Very well done and another score for the Sanfords. And, as a brief note Alma Rosa claims to be a fully sustainable winery.

Very Good+ to Excellent
$40 at Marquis

Full Disclosure: I received this wine as a sample from Marquis Wine Cellars who exclusively sell Alma Rosa wines in Vancouver

Russian River Brew Pub

So after all the festivities of #WBC09 Graham, Sean and I decided to hit up Russian River Brewing before heading back to San Francisco. And, as the saying goes it takes a lot of good beer to make a good wine. If all beer were as good as Russian River, well we might never get to the wine. Here are two video reviews of two fantastic sour beers brewed right in Sonoma. Cheers!







P.S. Thanks to Sean of Vinifico for providing the video equipment and editing these videos.

Wine Bloggers Conference 2009: Dinner at Spring Mountain Vineyard

The second day of the Wine Bloggers Conference rounded out with an exceptional dinner at Spring Mountain Vineyard where we got to have dinner and some great wines while chatting with winemakers from Spring Mountain and Viader and reps from Lang & Reed and BV. I was impressed that the winemakers took the time to sit down with us and talk wine, and it showed a burgeoning respect for the passion and thoughtfulness that 'citizen' bloggers can bring to the media world.


The setting itself was quite beautiful, with the rolling hills of napa etching themselves out along a sky dappled with red and golden hues over a declining hill of grape vines.


Over the course of the evening I managed to get a taste of quite a few wines, with the following four truly standing out.

1. Spring Mountain Vineyard Elivette 2001

A blend of Cabernet Sauvignon, Merlot and Petit Verdot, this 8 year old wine was showing very well that evening. Smooth and full and filled with dark berry fruit, this yet had an elegant structure and a very finessed finish. A standout Bordeaux style blend.

Excellent to Excellent+
$100




2. Viader 2005

Viader makes this red blend with 69% Cabernet Sauvignon and 31% Cabernet Franc, which is a surprisingly high % for the often funky and tannic Cab Franc grape. Nonetheless, this young wine was drinking very well and may have been the standout of the night. Very fruit forward, with notes of chocolate underneath, the wine paired ideally with the BBQ'd beef we were eating for dinner. Frankly, I would never have guessed that this had such a high percentage of Cab Franc given how smooth and fruity it was. A favourite at the table with winemakers from Spring Mountain and Viader in attendance along with several bloggers.

Excellent+
$100

3. Spring Mountain Elivette 1993

It was certainly a treat to taste this 16 year old wine, which was still drinking with real backbone but without that overpowering punch that young Napa Cab blends can have. Instead, it was showing plenty of secondary and tertiary flavours from the bottle age such as slate, tobacco, and leather while still maintaining a pure line of red and black berry fruit.

Excellent
$100

4. Lang & Reed 'Right Bank' 2004

Sneaking in to our bevy of $100 cabs was the subtle and suave Right Bank red blend. Made with Cabernet Franc, Merlot, Cabernet Sauvignon and Petit Verdot, this wine straddled the line between styles that many in the media have come to oppose as New World v. Old World. For me, this was fruit forward and yet elegant and finessed such that the fruit did not overwhelm the development of the wine and the layering of the mid-palate. Many classic dark fruit flavours abound in this along with cedar and mocha. But this wine is special more because of its velvet glove approach. One to look for.

Excellent
$80

A Return to Brown Estate: Catharsis and Wonder

The difficulties of expressing the emotional resonance I felt upon my return to Brown Estate last weekend finally evaporated in the midst of a somewhat tragic event. Just two days ago I discovered that almost 200 bottles that I had been collecting for over four years had been heavily damaged by a Vancouver heat wave that broke all historical heat records for the city. But, why did such a sad occurrence precipitate clarity in articulating my second visit to Brown? I think I can best express this with reference to two words: catharsis and wonder.

If we think briefly of tragedy as a classic poetic form we encounter two things: pity and fear. I have received an outpouring of pity for my recent loss and I do not doubt that other collectors also fear the possibility of the same happening to their collection. The Browns have a unique experience with these feelings given that years ago they lost a huge number of their old wines in a warehouse fire. What a tragic event such as this gives rise to is myriad and great. However, I think the ancient Greeks were on to something when they suggested that tragedy gave rise to feelings of catharsis and to an experience of wonder.

Although in English Catharsis tends to evoke one notion, in ancient Greek it (Κάθαρσις) can have two meanings. First, catharsis can mean to purge. Purging is something we’ve all experienced with horror films or roller coasters that make us confront fear and then feel relief when that brief encounter has elapsed. On the other hand catharsis can also mean to purify. Purification is different than purgation because it leaves part of the feeling behind, while jettisoning the baser elements.


As I followed Deneen Brown and watched Sean and Graham’s initial reactions to the wonderful wine cave that really epitomizes what Brown is all about I realize now that I was experiencing catharsis in the second sense. Much about wine can be distorted and even avaricious: obscene prices, access only to the wealthy, hoarding and gloating. However, the Browns understand that wine is also organic, it is an expression of time and of memory and these ideas become physical when you step into the most beautiful wine cave in Napa Valley. Somehow the Browns distill this unpredictable and asymmetrical essence of wine into a purer form that expresses itself in not only their wines but also their personalities.

The 2007 Brown Estate Chardonnay was also pure with its rich expressive nose of pineapple, guava and slightly laced mineral notes. Unlike the 2006, which was more austere, the 2007 blankets you with creamy tropical fruit, wonderful floral notes, and clean minerality. Like a Napa chardonnay with the finesse and structure of a Chablis, this is one of my favourite chards in the valley. Excellent. $48.

As I think of how years of time and effort have culminated in a tragic moment with the loss of my cellar, I also recall how wine can be the sudden, unexpected appearance of something beautiful and how it is this appearance that produces wonder when consuming a glass of wine. If we think of the stress and trauma that wine grapes experience during their lives perhaps we can understand how the wonder offered by a truly beautiful glass of wine can arise from a tragic life. And, while I do not suggest that the loss of something so fleeting as a wine cellar is truly tragic compared to what the world has to offer, I do think it puts into perspective why all us wine geeks and drinkers take pleasure and wonder in truly magnificent wine. This is something the Browns understand, as they prefer to produce more challenging expressions of the grapes we have come to love.

Particularly, their 2002 Cabernet Sauvignon had a savory nose of wood, softened by blackcurrant, plum and fig. The palate was wonderfully structured, especially the mid-palate, which was very uplifting. Cedar, chocolate, black fruits and solid youthful tannins make this an absolutely gorgeous wine. Excellent to Excellent+.

The current release 2004 Cabernet Sauvignon also had a wonderful nose, but it was surprisingly extremely different. I love how the Browns let the year truly express itself and are not afraid of extreme variation in style and flavour from year to year. To me this is a more wizened expression of the art of wine making and one that more wineries need to understand. With a palate with lots of wood, forest floor, and raspberry fruit there is tremendous structure to the mid-palate on this wine and it will pair amazingly well with subtle red meats. Excellent.

There is one more ‘lesson’ to be learned from the ancient Greek understanding of tragedy, and that is its concern not with conferring glory, but with bestowing the gift of wonder. As much as wine can be about status and power, it can even more strongly be about time. Wine can produce pause, moment, and temporal articulation and it is these elements that the Browns concentrate on when they put together a wine like the 2006 Chaos Theory, a blend of Cabernet Sauvignon and Zinfandel that belies easy description and instead challenges the palate to place the wine in line with similar memories: pepper, asian spices, caramel and cranberry on the nose lead into a palate with asian 5-spice, cloves, and a much more tannic and austere structure than you would expect from Zinfandel. The fruit notes include cranberry from the zin and crushed blackberry from the cab. A challenging wine that many will adore. Very Good+ to Excellent. $45.

I failed to mention the inspired cheese pairings that Coral Brown offers with each of the wines, which serve to highlight some of their most interesting elements. It is clear that Coral understands that the expressive capacity of wine is best served in company with food, just as our best experiences with wine are those which remind us of special moments and good friends. I suppose, then, that with catharsis and wonder tragedy metamorphosizes into narrative, which, in a sense, is a form of memory.


When I drink a great glass of wine I nearly always recall Proust’s passage on the Madeleine cookie that leads into the reminiscent narrative of Swann’s Way. Perhaps Proust says it best: “No sooner had the warm liquid, and the crumbs with it, touched my palate than a shudder ran through my whole body, and I stopped, intent upon the extraordinary changes that were taking place. An exquisite pleasure had invaded my senses, but individual, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory–this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me, it was myself. I had ceased now to feel mediocre, accidental, mortal.”

It is just such an exquisite pleasure that I experienced when tasting Brown’s Zinfandels, which are truly the heart of the Estate. The workhorse 2007 Napa Zinfandel had a cranberry, earthy, and asian spiced nose that opened into a full palate of fruit punch sour cranberry, and a distinct rose-like floral element. This is surprisingly elegant and tart for Zinfandel with great structure and balance. Very Good+ to Excellent. $36.

But lest the workhorse get all the glory, the very special 2007 Westside Zinfandel had a pinot-like barny and earthy nose with mushrooms and dried red fruits providing a quizzical pause. The intense mid-palate acidity was also leathery and had plenty of dried strawberry, cranberry and baking spices. A wonderful up front zinfandel. Excellent. $48.

But, even with the 2007’s lovely olfactory presence the 2006 Westside Zinfandel was even more elegant and integrated. A nose of flowers, cranberry and strawberry pie, the palate was pure silky strawberry fruit with a nutty edge. And, best of all there are incredible layers of spice – almost as if your most lush spices had fallen into the zin and mulled it into perfection. Stunning. Excellent+.


Ridiculously, we also took a tour of Brown’s barrel aging wines and without revealing too much I can attest that there are many many special treats and surprises that the winery will be releasing in due time, including an insanely good red blend that I won’t talk about too much more.

A tasting experience at Brown is anything but a public relations message. The Browns are some of the most authentic people I have met not only in the wine business but, honestly, in life generally. This, coupled with the fact that it is not hard to write superlative reviews for their outstanding wines (which are amazingly all good) make Brown Estate pretty much a premier destination for me in Napa and I will be making a point to visit them every time I take a trip down to California. These guys are rare for the wine industry and deserve your attention.

Lest I forget, we were treated to one last taste before heading back down into the main Valley to attend the Grand Napa Tasting: a 2006 Chiles Valley Zinfandel, which had a huge spicy nose with touches of red fruits. The palate was replete with baking spice, and dry-fried savory Indian spices like cumin and mustard seed. And yes there is still that distinctive cranberry note on the palate, which I have come to associate with the Chiles Valley as a unique AVA in Napa. Excellent.

In conclusion, my visits at Brown Estate have helped me progress from the tragedy of my lost cellar to the wonder that such tragedy can produce. If it weren’t for these types of stories and the memories that go along with them, wine would be but a hollow shell in want of meaning. Thanks to Brown for reminding me of this most important detail of our fleeting passions.